Hip-hop from dancers’ viewpoint: Dance, lifestyle, and/or subculture?

Snežana Damjanović Orcid logo ,
Snežana Damjanović

University of Novi Sad, Faculty of Sport and Physical Education, Novi Sad, Serbia,

Boris Popović Orcid logo ,
Boris Popović

University of Novi Sad, Faculty of Sport and Physical Education, Novi Sad, Serbia,

Ivana M. Milovanović Orcid logo ,
Ivana M. Milovanović

University of Novi Sad, Faculty of Sport and Physical Education, Novi Sad, Serbia,

Tijana Šćepanović Orcid logo
Tijana Šćepanović

University of Novi Sad, Faculty of Sport and Physical Education, Novi Sad, Serbia,

Published: 01.12.2021.

Volume 14, Issue 2 (2022)

pp. 41-49;

https://doi.org/10.31382/eqol.221205

Abstract

The paper presents the results of field research on the population of dancers – members of the hip-hop community who are “contestants” in battles. The field research was carried out in April 2022 on a sample of dancers aged 17 to 40 (N = 31). The research results indicate that the hip-hop community in Serbia is small, but that such battles in specific forms contribute to the community’s maintenance and expansion. Battles also play a significant role in the progression and expression of dancers as individuals. Dancers consider hip-hop to be not only an art form but much more, hip-hop is synonymous with a lifestyle and a “way of looking at the world” for dancers. Although the research was carried out on a small sample, it represents the author’s pioneering contribution to a deeper understanding of the hip-hop community in Serbian society. It also indicates the need to carry out compatible research in the future.

References

Alridge, D., & Stewart, J. (2005). Introduction: Hiphop in history: Past, present, and future. In The Journal of African American History (Issue 3, pp. 190–195).
Banić Grubišić, A. (2013). Romski Hip-hop u Srbiji: muzika i konstrukcija manjinskog identiteta [Roma Hip Hop in Serbia: Music and the construction of minority identity.
Chang, J. (2005). Can’t Stop Won’t Stop: A History of the Hip-Hop Generation. St. Martin’s Press.
Chang, J. (2009). Ples: anatomija. Data Status.
Damjanović, S., Popović, B., Milovanović, I., & Šćepanović, T. (2022). Hip-hop from dancers’ viewpoint: Dance, lifestyle, and/or subculture? In Exercise and Quality of Life (Issue 2, pp. 41–49).
Dodds, S. (2016). Hip-hop Battles and Facial Intertexts. In Dance Research (Issue 1, pp. 63–83). https://doi.org/10.3366/drs.2016.0146
Gačić, A. (2021). Šta je pravi hip-hop? Antropološka analiza uličnog plesa u Beogradu [What is real hip hop? Anthropological analysis of street dance in Belgrade. Faculty of Phylosophy.
Hazzard-Donald, K. (2004). That’s the Joint! The Hip-hop Studies Reader (pp. 505–516). Routledge.
Kaeppler, A. (1978). Dancing Youth: Hip-hop and Gender in Late Socialist Vietnam. In Annual Review of Anthropology (Issue 1, pp. 31–49). Kurfürst, S.
Koković, D. (2005). Pukotine culture [The cracks of culture]. Prometej.
Medina, J., Ruiz, M., Almeida, D., De, Yamaguchi, A., & Marchi Junior, W. (2008). As Representações da Dança: uma Análise Sociológica. In Movimento: Revista da Escola de Educação Física (Issue 2, pp. 99–113). https://doi.org/10.22456/1982-8918.2106
Mla: Damjanović, & Snežana. (2022). Hip-hop from dancers’ viewpoint: Dance, lifestyle, and/or subculture? In Exercise and Quality of Life (pp. 41–49).
Persaud, E. (2011). The Signature of Hip-hop: A Sociological Perspective. In International Journal of Criminology and Sociological Theory (Issue 1, pp. 626–647).
Prica, I. (1991). Ethnographic Institute SANU. Rajakumar, M.
Rounds, S. (2016). Dance as Communication: How Humans Communicate through Dance and Perceive Dance as Communication.
Sato, N. (2022). Improving reliability and validity in hiphop dance assessment: Judging standards that elevate the sportand competition. In Frontiers in Psychology (p. 934158). https://doi.org/10.3389/fpsyg.2022.934158
Schloss, J. (2009). Foundation: B-boys, B-girls and hiphop culture in New York. Oxford University Press on Demand.
Subotin, T. (2021). Specifičnosti različitih stilova hip-hop plesova [Specifics of different styles of hip-hop dances. Faculty of Sport and Physical Education.
Wisner, H. ;, Damjanović, S., Popović, B., Milovanović, I., & Šćepanović, T. (2006). Hip-hop from dancers’ viewpoint: Dance, lifestyle, and/or subculture? Exercise and Quality of Life. In Dance Magazine (Issue 9, pp. 41–49). APA. https://doi.org/10.31382/eqol.221205

Citation

Copyright

Article metrics

Google scholar: See link

The statements, opinions and data contained in the journal are solely those of the individual authors and contributors and not of the publisher and the editor(s). We stay neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Most read articles

Indexed by