Current issue
Volume 18, Issue 1, 2026
Online ISSN: 2406-1379
ISSN: 1821-3480
Volume 18 , Issue 1, (2026)
Published: 17.12.2025.
Open Access
Online First is a feature that enables the publication of final revised articles online before their inclusion in a printed issue. This accelerates the dissemination of research findings and ensures that your authors' work reaches the audience promptly.
Articles published through Online First are assigned a DOI upon their online posting. They should be cited as follows:
Author(s). Title of the article. Exercise and Quality of Life. Advance online publication. DOI:10.31382/xxxx
After assignment to a final issue, citations can include the volume and page numbers in addition to the DOI.
Once articles are allocated to a specific issue, their hosting transitions from the Online First page to the main journal archive. The DOI ensures persistent accessibility.
Citations to Online First articles are counted toward the journal's Impact Factor if other indexing criteria are met. This promotes earlier engagement with the published work.
Online First articles are considered final but not definitive until assigned to a specific issue. Errors identified in the online version can be corrected before the final issue publication.
All issues
Contents
11.12.2022.
Original scientific paper
Hip-hop from dancers’ viewpoint: Dance, lifestyle, and/or subculture?
The paper presents the results of field research on the population of dancers – members of the hip-hop community who are “contestants” in battles. The field research was carried out in April 2022 on a sample of dancers aged 17 to 40 (N = 31). The research results indicate that the hip-hop community in Serbia is small, but that such battles in specific forms contribute to the community’s maintenance and expansion. Battles also play a significant role in the progression and expression of dancers as individuals. Dancers consider hip-hop to be not only an art form but much more, hip-hop is synonymous with a lifestyle and a “way of looking at the world” for dancers. Although the research was carried out on a small sample, it represents the author’s pioneering contribution to a deeper understanding of the hip-hop community in Serbian society. It also indicates the need to carry out compatible research in the future.
Snežana Damjanović, Boris Popović, Ivana M. Milovanović, Tijana Šćepanović
